Enough with the Sugarcoated Nonsense: The 12 Ads Everyone Pretends to Love This Week—Here’s Why Most of Them Suck
Let’s get this out of the way: the ad industry’s weekly victory lap, parading a dozen so-called ‘breakthrough’ campaigns for Hershey’s, Cheez-It, BMW, and the usual Fortune 500 suspects, is a masterclass in mediocrity. It’s September in Manhattan, the air’s crisp, and every subway ad is still just a QR code on beige. But Adweek’s latest “Ads of the Week” list, which you probably scrolled past while waiting for your cold brew, wants you to believe we’re living through a creative renaissance. Spoiler: we’re not.
Hershey’s launches another nostalgia-laced spot, as if invoking s’mores is a stroke of genius in autumn 2026. Cheez-It’s campaign? A tired, performative wink at meme culture that would’ve felt stale two years ago. Allstate’s ‘edgy’ new character-driven spot lands with all the subtlety of a LinkedIn influencer bragging about their ‘authentic voice.’ Did BMW finally stop making car ads about driving dynamics no one in the city actually experiences? Of course not—just another CGI night-drive, now with more fake rain for that “cinematic” look.
But let’s talk about Amazon. Their entry is a data-driven Frankenstein: a grab bag of split-tested tropes engineered for engagement and promptly forgotten by dinner. There’s no risk, no punch, just a never-ending feedback loop where ‘brand lift’ means ‘we annoyed you more efficiently this quarter.’ This is what happens when agencies treat creative like an A/B test for a landing page instead of, you know, art.
Here’s the real problem: the only thing these campaigns have in common is the safety net of bloated budgets and zero accountability for real-world results. The average DTC startup on Lafayette Street has more to lose and more to say with a $5k TikTok shoot than these behemoths do with a $2M media buy. Want to see advertising that actually moves culture? Stop watching what makes Adweek’s list and look at what your neighbor’s 16-year-old cousin is posting for her Depop store.
Uncomfortable truth: If your agency’s ‘win’ is a slot in a round-up list, you’re already losing. Scrap the fraudulent ‘best of the week’ congratulation circles and demand stuff that people actually talk about on a Saturday night, not just in a Slack thread full of C-suite hand-wringers. Until then, enjoy your beige QR codes and CGI rainstorms.
Frequently Asked Questions
What is the main criticism of the ‘Ads of the Week’ lists in this article?
The article argues that these lists celebrate uninspired, formulaic campaigns from big brands that prioritize safety and mediocrity over genuine creativity and cultural impact.
How does the article describe Amazon’s latest advertising campaign?
Amazon’s campaign is called a ‘data-driven Frankenstein,’ built from split-tested tropes designed for engagement but quickly forgotten, lacking risk or originality.
What specific advertising trends does the article criticize?
The article criticizes the overuse of QR codes and CGI effects in current advertising campaigns.
How are DTC startups compared to Fortune 500 brands in the article?
DTC startups are said to make more cultural impact with small-budget TikTok shoots than Fortune 500 brands do with massive media buys.
What does the article suggest is the real measure of effective advertising?
The article suggests that effective advertising is work people actually talk about in real life, not just what gets featured in industry round-up lists.